Languages: English/Italian | Pages: 148 | ISBN (paper): 978-88-8443-840-9; 978-88-6049-299-9 | ISBN (online): 978-88-8443-839-3
Mural Tuttomondo by Keith Haring, external wall of the rectory of St. Antonio Abate church in Pisa, 1989, 10x18 meters. © Franco Pizzi 2018. In the thirty mutant figures of Tuttomondo Keith Haring gathers, enhances and re‒presents the symbols, fears, hopes and dreams of the people.
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Index
Fabio Quici
Editorial. Images for a sentient society
Michele Emmer
A nulle immersion: Klimt in Paris
Ghisi Grütter
Photography as 'open work' and social mirror
Enrico Cicalò, Valeria Menchetelli
From poster to visual social media. Images for public communication in Italy
Starlight Vattano
The iconic storytelling in the Soviet Russia
Alessandro Luigini, Matteo Moretti
The relevance of Otto Neurath. From ISOTYPE to visual journalism for a visual storytelling of the society
Matteo Giuseppe Romanato
The representation of the city on the web. Influence on the images made by digital users
Adriana Caldarone
The city as a text and the participatory role of environmental graphics
Alessandro Bianchi
The representation of the Italian landscape in the figurative thought of Giorgio de Chirico and Luigi Ghirri
Ornella Zerlenga
Afterword. Using images
